Between Landscape and Abstraction
Between Light and MEMORY
My paintings emerge where the places we encounter become landscapes we carry within us.
Tethered to landscape while opening into abstraction, I use atmosphere, light, and color to give form to memory, perception, and belonging—connections that deepen over time and persist across distance.
Pacific Edge
Northern California’s shifting light—open skies, coastal fog drifting across hills, horizons appearing and dissolving—carries a landscape slowly into memory. My paintings begin with these lived encounters, then move beyond description as layers are built, scraped away, and rebuilt. Atmosphere becomes material, and the boundaries between land, water, and sky become less fixed. Through color, rhythm, and the movement and scale of the sky, I am interested in how a landscape can come to feel like home—and how a painting might awaken in us the memory of a place we have loved, or the feeling of one we are only beginning to love. These are the landscapes we carry within us.
Break 20" x 20" Acrylic on Birch Panel, 2026
Lift 30" x 30" Acrylic on Birch Panel 2026
Held Light 20" x 20" Acrylic on Birch Panel 2026
Between Memory and PLACE
Baltic Memories
Baltic Memory: The Sky I Carried, 5"x 6", Soft pastel and watercolor on watercolor paper, 2026
Baltic Memory: Between Gusts, 5.75"x 5.5", Soft Pastel and Watercolor on Watercolor Paper, 2026
Baltic Memory: The Sky Opened, 5.5"x 5.5, Soft Pastel and Watercolor on Watercolor Paper, 2026
Baltic Memory: As the Sky Fell, 4.75”x 4.75”, Acrylic and Soft Pastel on Oil Paper, 2026
Baltic Memory: The Weather Turned, 3.75”x 4.75”, Acrylic and Soft Pastel on Oil Paper, 2026
Self Portrait
9”x12”, Charcoal on Paper, 2025
About ME
Artist Statement
My paintings explore how the places we encounter become landscapes we carry within us. Working between landscape and abstraction, I use atmosphere, light, color, and material process to investigate our evolving relationships with place, memory, and belonging.
My paintings begin with lived encounters with landscape but gradually leave description behind. I am drawn to moments when a place seems unstable or in transition—fog moving across hills and water, horizons appearing and disappearing, light transforming familiar terrain. Rather than depicting specific locations, I use these experiences as starting points, allowing the boundary between external landscape and internal experience to become increasingly fluid.
The work develops through repeated layering, scraping, obscuring, and rebuilding. Geometric structures emerge and recede; luminous fields accumulate and are interrupted; references to land, sea, sky, and weather remain without fully resolving. Through this process, observation gives way to something less literal, as landscape becomes intertwined with perception, memory, and felt experience.
My two ongoing bodies of work approach these ideas from different directions. Pacific Edge grows from my experience of Northern California’s coastal landscape and considers how color, rhythm, light, and the movement and scale of the sky can make a landscape feel like home. Baltic Memories returns to the landscapes of my childhood on the Baltic coast of former East Germany and explores what remains when a place once intimately known becomes distant in time and geography.
Together, these bodies of work trace belonging in opposite directions: the ways we come to love a place and the ways it remains with us after we leave. I am interested in the threshold between these states—between seeing and remembering, arrival and departure, the places we inhabit and the landscapes we carry within us.
Artist Bio
Helena Roeber is a Bay Area painter whose work is informed by the landscapes of Northern California and the German Baltic coast. She holds a B.S. in Computer Science from Stanford University, with a minor in Studio Art, and completed a Painting Studies Certificate through Rhode Island School of Design Continuing Education in 2026. Her paintings draw on atmosphere, light, and memory to explore our evolving relationships with place and belonging.
Exhibitions
Current
Pacific Edge: The Landscape We Carry, Solo Exhibition, Bridge Gallery at Mithun, San Francisco, California, October 1–November 12, 2026
Memory Lane, Group Exhibition, Pacific Art League, Palo Alto, California, September 4–22, 2026 Featuring:The Sky I Carried